SONGWRITING COMPETITION - SWC063 November 2022 - Winners announced

[Mister Fox]

Hello and welcome to the Songwriting Competition 063 - November 2022



BEFORE WE GET STARTED:

• Please consult the official and very simple "Rules and Guidelines" (TL;DR version) for the Songwriting Competition regarding principles of the game, it's engaging game mechanics (allowed editing/re-submission of your entry until the deadline has been reached) and upload/submission guidelines.
• The general idea of this game is to "...just make music", and to also challenge yourself by stepping a bit out of your comfort zone, and take a dip at realms you've never worked in before
• The Genre and "Premise" months challenge can be found in in post #2
• Filename Template: SWC000_ArtistName_TrackName.wav and/or .mp3

Read more about this month's competition further down below. And if you got any question, please also reach out on Discord.




This introduction post acts as an index for the various stages of the Songwriting Competition. It will be updated with the corresponding links and suitable thread headlines as we progress. Please watch this spot...


Submission Period: General Information and Sponsors
Cheat Sheet: A couple of examples / audio demos for this month's challenge (limited if genre is "free to select")
Voting: Summarized entries and start of voting process
Results of the Songwriting Competition: Results of the Songwriting Competition

[Mister Fox]

CURRENT CHALLENGE - GENERAL INFORMATION

Time Frame: Tuesday, 01st November 2022 to Thursday, 24th November 2022 (24 days)

Challenge submission will end on 24-NOV-2022, 23:59 UTC+1/CET (Germany) - until further notice.


Want to find out if you're still within the deadline, please consult the following options:
The Global Countdown on it's dedicated page or the countdown on the home page. There will also be short reminders on Social Media and on Discord.

Does the game time frame feel too long? Why not set a personal shorter one of 5-7 days absolute max to push yourself to focus on the essentials, then use the rest of the time to ask for feedback and possible refinements.



SONGWRITING THEME: "Dialed to 11"
GENRE: Heavy Metal



Image Source: Pexels, photo by Andy Pinaria, released under Creative Commons CC0



A few word about this month's theme:

I honestly don't know what to write this moment. I had plenty ideas for a premise on my mind. However, every time I sat down, those ideas just vanished. I wanted to link it to current day events on our floating and rotating ball in space. Things that makes you speechless, others where you just want to scream into the void. Basically, offer something where you can channel your emotions, and turn it into art.

However, every music genre and monthly premise can turn into that. Even this month -- if you want to.


November is our traditional "guitar based theme month". This month, I am not offering a specific image to be inspired from, or a super deep theme, then ask you to turn into into something. I only provide you one genre we are not tackling as often: Heavy Metal.

If you've never touched this genre -- now is your chance to do so, interact, learn from each other. But most important - have fun doing so.
.



Your task for this Songwriting Competition:
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This month, you can create a production in any "Heavy Metal" music genre.


What I'd like to see/hear this month:
The sub genre of Heavy Metal really doesn't matter this month. May it be Grunge, Nu Metal, Folk Metal, Industrial Metal, Thrash Metal, Speed Metal, Black Metal, Death Metal, Symphonic Power Metal, Metalcore, Djent, Progressive Metal, Visual Kei, Metal blended with Chiptune music, etc...

Ever wanted to dabble into odd time signatures, this is the perfect chance to do so. I would like to to hear some cool grooves and riffs, I want to hear distorted electric guitars. And if you feel comfortable, maybe add vocals as well. As usual, zero pressure on that end. There are plenty of instrumental metal songs out there. Just make music!


And remember - by joining in the first place, and stepping beyond your comfort zone, you already won in my book.

Let's rock!

Songwriting Rule Summary / Add-On Rules:

• create a production fitting to the given theme, genre and general premise
• you can use any tool that is at your disposal (samples, virtual instruments and/or real instruments)
• IMPORTANT: if you use non-licensed material (as in: non royalty free material from sample CDs, etc), give full credit to the source material
• for newcomers: no finished productions that have already been released outside of the time frame of the current Songwriting Competition (Spotify, iTunes, Bandcamp, etc), no cover versions or remixes, no ripped acapella's -- please only showcase your own content
• do not go higher than -14,0 LUFS ILk/-1,00 dBTP in terms of perceived loudness (mastering). Music doesn't have to be squashed to bits in order to be impactful
• name your files properly prior to uploading and make the production downloadable. If you opt to present your entry through SoundCloud, the forum can also convert your links into a Soundcloud player through the [soundcloud] BBCode from the text editor (orange square with a white cloud in it)
• ADD-ON RULES:
  • Filename Template: SWC000_ArtistName_TrackName.wav and/or .mp3
  • <no (additional) add-on rules specified>

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Please take note of the official rules - they can be found at the following thread:
Songwriting Competition - Official Rules and Guidelines (most notably Rule Book - post #6)

Please address any OT question in the official Gossip thread:
Songwriting Competition - Gossip and Discussion

If you like what the Mix Challenge (community) has been doing in recent months:
Please consider supporting the project

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SPONSORS (Prizes):

Prizes for Songwriting Challenge participants:

Note: All licenses are NFR (Not-For-Resale), except where noted.
Changes to available prices on short notice may be possible and will be announced separately.


RECURRING LICENSE SPONSORSHIP:


Cherry Audio is kind enough to give away one license of Voltage Modular Ignite, plus either a license of "Year One Collection" or "Year Two Collection"
License will turn into NFR
More info on Cherry Audio: https://cherryaudio.com



IK Multimedia is kind enough to give away one license of MODO BASS 2 to the winner
License will turn into NFR
More info on IK Multimedia: https://www.ikmultimedia.com



Musiclab is kind enough to donate any 1 guitar of your choice to the winner
License will turn into NFR
More info on Musiclab: https://www.musiclab.com



Tone2 is kind enough to donate a license of Saurus3 to the winner (until further notice)
License will turn into NFR
More info on Tone2: https://tone2.com



kv331 audio is kind enough to give away a bundle of either SynthMaster 1+2 Bundle, or a freely selectable set of 3 SynthMaster Expansions
License will not turn into NFR, you need to have a kv311 audio user account in order to pick up Expansions
More info on kv331 audio: https://www.kv331audio.com



JRR Sounds is kind enough to give away any-1 sound sets or sample set of winner's choice (exception: Bundles)
More info on JRR Sounds: https://www.jrrshop.com/jrr-sounds



Luftrum is kind enough to give away either a license of Lunaris, a license of Bioscape, or any two sound sets of winner's choice (exception: Bundles and Nano Electronics)
License will turn into NFR
More info on Luftrum: http://www.luftrum.com



Rekkerd Sounds is kind enough to give away 1 sound set of winners choice (exception: Krezie EDM and Neurofunk Vol. 1)
License will turn into NFR
More info on Rekkerd Sounds: http://sounds.rekkerd.org/



Ghostwave Audio (Vincent Bastiat) is kind enough to donate any 2 sound sets to the winner
License will turn into NFR
More info on Ghostwave Audio: http://ghostwaveaudio.com



Hollow Sun is kind to donate one license of "Music Laboratory Machines - The Suite I" to the winner
License will turn into NFR
More info on Hollow Sun: http://www.hollowsun.com



Hornet Plugins is kind enough to give away one license from the depicted tools (see image) to the winner
License will turn into NFR
More info on Hornet Plugins: http://www.hornetplugins.com



Sound / Graphic Designer, and honorary Mix Challenge staff satYatunes is donating one commercial product of winner's choice (until further notice)
More info on satYatune's page: http://www.satyatunes.com/





THANKS FOR THE DONATIONS!
And also a thank you to all former contributors as well.

If you want to sponsor content (please have a focus on instruments, samples and sound sets), please get in touch with the Mix Challenge staff.

Please spread the word of the challenge on social media.
For example with our dedicated Twitter Account or Facebook Page

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Good luck to all participants.
And most importantly, have fun!

[Mister Fox]

AUDIO EXAMPLES:
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Articles and Info Pages:

A great starting point is the "Addendum"/Supplementary thread for the Songwriting Competition
Songwriting Competition - Addendum: Music Maps and BPM Charts

Wikipedia Article:
https://en.wikipedia.org/wiki/Heavy_metal_music (just a starting point!)

And let's not forget the infamous Map of Metal




Music examples (selection for inspiration not covered in "Map of Metal", as that stops pre 2010s, 32 videos):

► Show Spoiler

Slash - Crucify the Dead (feat. Ozzy Osbourne) (2010, Heavy Metal)
In This Moment - The Promise (2010, Metalcore)
Dethklok - The Galaxy (2012, Melodic Death Metal)
A Sound Of Thunder - Calat Alhambra (2013, Power Metal -- also check out Els Segadors (The Reapers) from 2017)
Unfaith - Ghosts (2014, Alternative Meta -- also check out Salvation from the same albuml)
Trivium - Until The World Goes Cold (2015, Progressive Metal)
MEYTAL - Breathe (2015, Alternative Metal -- also check out Out of Chaos from 2017)
BABYMETAL - Syncopation (2016, "Kawaii Metal", which is basically a blend of Pop, Speed Metal and Djent)
Ghost - Square Hammer (2016, Heavy Metal, "Doom" Metal)
DEgITx - Catch My Dragon (2017, Heavy Metal + Chiptune)
Architects - Doomsday (2017, Metalcore)
Unsleash the Archers - Awakening (2017, Power Metal -- also check out Cleanse The Bloodlines from the same album)
Motion Device - Wide Awake (2018, can be considered Doom Metal, they're now known as "Quarter After Three")
Dave Grohl - Play (2018, 23min of a mix of Grunge, Avant-garde and Progressive Metal)
JINJER - Teacher, Teacher! (2019, Metalcore / Death Metal)
Devin Townsend - Evermore (2019, Progressive Metal, with symphonic aspects dialed to 11)
Avatar - A Secret Door (2020, Melodic Death Metal)
Bring Me The Horizon - Parasite Eve (2020, Metalcore / Industrial Metal, collaboration with Mick Gordon)
Bring Me The Horizon - Kingslayer ft. BABYMETAL (2020, Metalcore / Modern Metal)
Remi Gallego - Invocation (2021, Heavy Metal / Soundtrack)
Machinae Supremacy - We are the ones who change the world (2021, SID Metal)
Geoffplaysguitar - Fall of Davoth (2021, Industrial Metal)
Rammstein - Zeit (2022, "Neue Deutsche Härte" / "Groove" Metal -- music only version)
Stabbing Westward - Ghost (2022, Industrial Rock / Industrial Metal)
Gnome - Ambrosius (2022, Doom Metal / "Sludge")
MUSE - Will of the people (2022, Alternative Rock)
Metal: Hellsinger — This Devastation ft. Matt Heafy of Trivium (2022, Power Metal -- instrumental version can be found here)

.



Please also check in with the following threads in the the Gear Talk sub-forum, if you're on the look-out for new tools:
Places to fuel your GAS (Gear Acquisition Syndrome) (the starting point if you're in need of audio tools -- from free to affordable)

Also recommended to check out the following tools, if you're new to/need help with songwriting:
Plugin Boutique - Scaler 2
Xfer Records - Cthulhu
CodeFN42 - Chordz (Transition is also recommended, if you want more experimental/generative MIDI, Free, Windows only)
W.A. Production - InstaChord and InstaScale
Fabrizio Poce / J74 - Progressive ("Max4Life" is needed, Ableton Live bound)


More tools of the trade

► Show Spoiler

Need a good starter kit of free instruments?

Instruments:
AKAI - MPC Beats (limited to 8 MIDI + 2 Audio tracks, but can be used as VSTi in any other DAW)
IK Multimedia - MODO DRUM CS (one drum kit)
Rayzoon - Jamstix (an amazing drummer brain)
IK Multimedia - MODO BASS 2 CS (one e-bass)
Spitfire Audio - LABS
Spitfire Audio - BBC Symphonic Orchestra Discover
Orchestral Tools - SINEfactory
kv331 audio - Synthmaster Player (the free version comes with over 600 presets!)
VSTBuzz - Freebie Collection page, plenty of good material to find there (often Native Instrument Kontakt bound)
CWItech - TX16Wx Software Sampler (If you want a highly powerful Soundfont2 loader / sampler)

Please do remember, our kind License Provider Musiclab also offer 30 day trial versions of their virtual guitar range.


Ampsims:
Guitar&Bass Plugins - The Big Amp Sim List
Offering a nigh endless list of companies providing amp simulations, cabinet impulse responses, and then some.

Guitar&Bass Plugins also offers a Quick Guide on getting started with amp sims without frustration


Maybe also take a look at the following:
Line6 - Metallurgy Amp Sim(15-day Trial)
IK Multimedia - Amplitube 5 CS (free)
Ignite Amps - various hi-gain amp simulations (The Anvil, Emissary, SHB-1 Bass Amp) and IR Loader (NadIR)
Mercuriall - various amp suites (plenty of free stuff)
AXP SoftAmp - various amp sims (SoftAmp PSA is highly recommended for both guitar and bass, but it needs a cabinet IR loaded in post)
Audio Assault - various amp sims ("Blacksun" is still given away for free)

For Cabinet IR's
Two Notes - Wall of Sound (only one guitar cabinet purchase needed to turn this into a "pro" version)
Shift Line - cabinet impulses are available on a Pay-What-You-Want basis
Ownhammer - cabinet impulses

UPDATED: 31-OCT-2022 22:35 UTC+1, updated 18-NOV-2022 07:45 UTC+1

[Arelem]

Hello Everyone,

For this challenge, I wanted to try something a little different from what I usually do. I've done rock/metal songs in the past and go with a gritty, distorted singing style. For this one, I wanted to do a big clean vocal with lots of echo and reverb. I think I've got it sounding pretty good.

*EDIT*
The link has been updated to my latest version. Mister Fox was kind enough to offer some feedback that I tried to implement. The song definitely has some doom-metal influences but it is not strictly doom-metal, so not everything was incorporated. I was initially using something along the lines of Tool/A Perfect Circle as inspiration. I had to work around my own limitations of course as I am nowhere near the level of those bands. In the end, I think this song winds up as something of a hybrid of those styles (with a bit of my own style thrown in).

*2nd EDIT*
Track has been updated to the final version.



Lyrics

► Show Spoiler

In the days of old
before we ruled the land
there stood an ancient evil
of whom we took a stand
he would hear no reason
he would not relent
so we raised our swords to the sky
our will would not be bent

(Chorus)
Gods in the heavens
give us the strength
to stop this evil
let us win this day
Gods in the heavens
guide us with your might
for we know you are with us
we will win the fight

the archers draw their bows back
the swordsmen clash their steel
the beast he slashes toward them
and many men were killed
as the battlefield smolders
the battle rages on
we make our final volley
and cast the demon gone

(Bridge)
and if another rises
of ill will, they shall be
then we shall gather once more
and make our valiant plea

Chorus

Details

► Show Spoiler

DAW is FL Studio 20

The guitars are a couple different instances of RealEight and AmpliTube.
Bass is Modobass, Guitar Rig, Little Radiator, and NadIR
The drums are a combination of some live recorded samples and NI Studio Drummer
The vocals have Little Alter Boy, Necter 3 for DeEss, bx Console SSL 9000J, SSL Native Bus Comp, and SpacedOut

[Mister Fox]

Quick feedback for @Arelem, since nobody else did and we're about to hit 14 days left on the timer:

This is an interesting idea for "Doom" inspired metal track, but the focus is a bit too much on the electronic drums. They stick out quite a lot compared to the guitars.

And speaking of the guitars, I am aware that not everyone has access to one, so virtual instruments are an option. However, this is also the crux with this production - you clearly notice that it's "samples". You should definitely play more with modulation in form of slight bends here and there, vibrato, etc. To make it feel a bit more alive. The amp usage is (IMHO) also not ideal... I would opt for a different guitar amp, bar minimum a different cabinet that feels more "rounded out" rather than honky and just pure midrange. If you can't find a suitable alternative, maybe a subtle high cut, and reducing some resonant frequencies around the 3,3kHz range might help improve the raspiness.

Another thing I usually try, is running a "guitar > compressor > amp", or even "guitar > compressor > booster pedal (like Tube Screamer with input gain at low, tone adjusted to taste, only controlling the output) > amp". Therefore I change the distortion characteristics of the amp itself on top of bringing up the guitar's sustain. This might also have influence.

I would also dial back on the reverb for the whole production. Leave some stuff a bit more raw. Or, instead of washing everything out, maybe ducked reverb so that the guitars can be your wall of sound, and the rest be a bit more washed. Finding the right balance of clarity and conveying a larger-than-life feel is not an easy task.

I hope this helps.

[Mister Fox]

A friendly reminder:
Including today, 14 days left to submit your production


If you want to access the extended game mechanics of the Songwriting Competition (asking for feedback during production), please try to release your first edits within this week and to have enough time to get possible feedback (if needed/wanted) and continue to work on your song.

[Arelem]

Quick feedback for @Arelem, since nobody else did and we're about to hit 14 days left on the timer:

This is an interesting idea for "Doom" inspired metal track, but the focus is a bit too much on the electronic drums. They stick out quite a lot compared to the guitars.

And speaking of the guitars, I am aware that not everyone has access to one, so virtual instruments are an option. However, this is also the crux with this production - you clearly notice that it's "samples". You should definitely play more with modulation in form of slight bends here and there, vibrato, etc. To make it feel a bit more alive. The amp usage is (IMHO) also not ideal... I would opt for a different guitar amp, bar minimum a different cabinet that feels more "rounded out" rather than honky and just pure midrange. If you can't find a suitable alternative, maybe a subtle high cut, and reducing some resonant frequencies around the 3,3kHz range might help improve the raspiness.

Another thing I usually try, is running a "guitar > compressor > amp", or even "guitar > compressor > booster pedal (like Tube Screamer with input gain at low, tone adjusted to taste, only controlling the output) > amp". Therefore I change the distortion characteristics of the amp itself on top of bringing up the guitar's sustain. This might also have influence.

I would also dial back on the reverb for the whole production. Leave some stuff a bit more raw. Or, instead of washing everything out, maybe ducked reverb so that the guitars can be your wall of sound, and the rest be a bit more washed. Finding the right balance of clarity and conveying a larger-than-life feel is not an easy task.

I hope this helps.

That is a lot to comb through, thanks for the feedback. I am using Shreddage 3 for the guitar. I tried adding some tremolo or bends to the guitar but it really doesn't fit the vibe of the song. I also couldn't quite get the guitars somewhere that I liked using different processing so I applied some EQ. Hopefully, that makes enough of a difference. I EQ'd the drums to make a bit more room for the guitars as well. As for the reverb, there really isn't any applied other than on the vocals so there wasn't any to remove. I do think the guitars come through a bit more clear though, so maybe that is sufficient
I'm just posting the private link here for now to see if it is an improvement and I can replace the original link later.
*EDIT* I removed the link here because my original post has been updated.

[alavault]

Hello,
Song (Non Sequitur): https://drive.google.com/file/d/1Dhgd9L ... sp=sharing
---
Downtuned Squier Strat and JBass into an Antelope Interface for amp sims. Used a :mix of JCM800 and ENGL for the rhythm mix. A mix of Marshall and Mark V (?) for the lead. (I don't really know what are the amp emulated inside the sound card).
Superior Drummer and samples from my personal library for drums and percussions (samples generated with StyleWaveGAN). Added gunshot sound somewhere.
Spire and P8 for synths. P8 for lead and pad, spire for auxiliary lead and bells.
--
Final Mix/Submission.

[Arelem]

Hello,
Song: https://drive.google.com/file/d/1Dhgd9L ... sp=sharing
---
Downtuned Squier Strat and JBass into an Antelope Interface for amp sims.
Superior Drummer and samples from my personal library for drums and percussions
Spire and P8 for synth.
--
Rough Mix for the moment. Should be updated soon. (I know everything is out of whack).

The only comment I would have made would be about the mixing, but since you said that you are already aware and working on it, I won't. Nice track

[alavault]

The only comment I would have made would be about the mixing, but since you said that you are already aware and working on it, I won't. Nice track

You can give your comments on the mix you know
Maybe I was not thinking of the problems you found !