MIX CHALLENGE - MC103 April 2025 - Submissions until 21-APR-2025 23:59 UTC+2/CEST

[DannyC]

https://drive.google.com/file/d/1-hyojB ... sp=sharing

Thank you @Strange for posting the music.

Following the song provider's suggestions I tried to get the mix bouncy and happy, whatever processors I used are geared toward that goal.

Kick: more beater
Snare: tighter and more snap
Bass: paralleled to get top end
Guitars: re-amped
Vocal: paralleled for stronger voice

Those are the most important, imo, to work on to get a bouncy mix. Hope you like it. Thx

[Green-Dog]

Hi everyone!
Big thanks to the song provider for sharing the track — it was fun working on this one!

As for my monitoring setup: my main reference speakers are Focal Solo6 BE, and I also check the mix on Sennheiser HD660S headphones and AirPods Pro.

MIX

Mixing Notes:
For the drums, I enhanced the kick with some top-end boost, subtle compression, and saturation for punch. Snare was cleaned up with EQ, compressed, and sent to a reverb bus for depth. Overheads and room mics were balanced for a natural feel. The bass was EQ’d to sit well with the kick and compressed for consistency. Electric pianos and synths were shaped with EQ to avoid masking and placed in the stereo field with panning and modulation. Guitars were treated with light compression, some midrange sculpting, and stereo widening. Lead vocals went through gentle de-essing, EQ, compression, and time-based effects (reverb and delay sends). Backing vocals were blended with some saturation and spatial effects. A light mastering chain was added for final glue and loudness.

Good luck to everyone!

[red86549]

Hi, this is my first attempt here and I’m really excite to have some feedback from you.

Here's my mix: https://drive.google.com/file/d/1EIemb ... sp=sharing

I usually mix with REAPER and a hybrid setup, because I prefer hardware saturation and dynamics but ITB eq (usually SSL native channel) for a quick recall.

So, on this beautiful song I do more or less this thing:

DRUMS: have a parallel to a townhouse convolution that gives a lot of pumping at drum and I work on each channel with a SSL native channel. There’s a bit of reverb on the snare

BASS: at first there’s a parallel to a channel strip with a valve preamp and a VCA comp. This gives me the sound I love on bass. There’s a eq for give some space at the kick

GUITARS: I pan a lot very track for have spatiality in the mix, there’s a parallel to a UAD distressor that I love on guitar and to an UAD tape echo.

SYNTH: nothing too strange, I pan also this thing a lot

EPIANO: I have two parallels here: one to a convolution of SSL FUSION (I know is a master outboard but sometimes I love this one on buss); other parallels goes to a YAMAHA SPX50D from ’80… this time I use this for chorus (everyone I think knows the symphonic preset on this)

MAIN VOX: eq by usually SSL, an analog 1176 (it works a little but give a lot of presence) and a parallel to another analog outboard a multifx for delay and reverb

BVOX: I use a parallel to the 1176 with the same settings of main vox for have some glue with that.

MASTER BUSS: I use a tape machine emulation for some analog color and a de-esser for any kind of harshness

Let me know what you think about…

[alavault]

Mix: https://drive.google.com/file/d/1d5rOjy ... drive_link

Drums : EQ and little bit of compression. Snare drums are quite distorted but with some dry signal mixed in. Added a reverb insert on the room to give it some size. Used Auto-align to get a head start phasewise.
Bass : Used a split between DI, Amp, a distorted track and a "sub" track. The sub track is the DI, compressed and saturated which then goes into Airwindows Subsonly.
Keys : added a widener and some saturation to make them poke through
Vocals : 1176 on everything, LA2A in addition for the BGV. Added a plate with predelay for the revrb.
Guitars : I didn't use the DIs, and the amp tracks were saturated and then compressed.

[elements]

Hi all.
Thank you to @Strange for an interesting song to mix.
Thank you, as always, to @Mister Fox Fox for looking after all of this and hosting this challenge.

First, here is my mix:
https://www.dropbox.com/scl/fi/krs6lqrm ... 2kteh&dl=0

I enjoyed mixing this song. It is a well crafted song and the arrangement and parts really take you on the journey nicely.

I pretty much just followed my nose with this and didn’t think too hard about what it could be. I listened to both the Soundcloud version and the one included in the download and figured that i would want to be aiming it to be somewhere in the zone covered by those two tracks.

My monitoring environment is a pair of Sennheiser HD300 Pro headphones which I have learnt in the past little while are actually very accurate. I decided to dig out ToneBooster’s Morphit and put that on my mix bus to aid my listening. It helped a lot. I also referred to my iPhone headpiece and the occasional trip in the car.

I still have a way to go with feeling happy with my results. Since joining this site and getting involved in the challenges it has put into question everything that I thought I knew about mixing. I actually thought I knew how to mix. These days I have released that preconception and have just decided to enjoy the journey of learning the art and craft. It has been a gradual process of disintegration of the person I thought I was.

Anyway, thank you for the opportunity to gain more understanding.

Best of luck to all.

[jaThum]

Tried to move away from studio clarity aims to 70's style of impact; somewhere in between. I monitor on JBL 306 Mk II in a completely untreated room. Mixes should try impact on the artists intention with as much texture and character as we can now afford. I like dynamic mixes and not an aggressively compressed drum set in particular. Also kept the space relatively small


https://www.dropbox.com/scl/fi/3w0huu80 ... ypmfc&dl=0

[yotemix]

Hello!
Here is my mix. I hope you'll like it.
https://drive.google.com/file/d/1k4ITP- ... p=sharing
What I did?
First, I'll put the tracks in order. There are many, and there are some I ended up not using (such as the guitar direct boxes).
I started by mixing the drums, starting with the overheads with a good amount of compression and lowering the brightness because the hi-hat cuts through them a lot.
Next up were the kick drums (drastically reducing the 400Hz) and the snare drum, where I linked the three snare tracks to a bus and there I slightly compressed and cleaned up the body weight, as it seemed excessive.
With that part done, I added the bass. I like the sound of the amp, but I prioritized the sound of the DI box. So the bass sound is a combination of 80% DI box and 20% amp sound.
The guitars: as I mentioned, I didn't use the raw tracks; I went directly to the amp recordings. I routed them all to a stereo group track and applied compression, HPF, and LPF. Not much more.
As for the cymbal tracks, effects, pads, etc., they don't have any processing; I just adjusted the volumes.
The pianos do have HPF and LPF.
The vocals were a real struggle. They're inconsistent and sometimes disappear from the recording, while sometimes they appear aggressively. I cut a lot with the EQ at 1k and 2k, and then used a limiter to try to equalize the parts so they sound more consistent throughout the song.
The choirs only have a main bus with HPF and LPF and a volume adjustment.
Snare drum, OH, guitars, voices and background voices have plate or room reverb as needed. There is also a delay effect on the voic.
On the main mix bus, I cleaned up some resonant frequencies and applied an HPF EQ at 30Hz and an LPF at 16k with a very high Q.
A PuigChild compressor compresses only 0.5dB at certain times to avoid being too drastic, and a limiter ensures that the peaks don't go over -1, although truth be told, they're far from that.

Thanks for the song and for letting us have a great time mixing it.