UprightJoe wrote: ↑Sat Jun 15, 2019 03:59 CEST
General Notes:
As I said before, everybody did a great job. Here are some things I heard in common across multiple mixes that I thought were noteworthy:
The backing vocals on the chorus are pitched higher than the lead vocals. To me, they really want to steal the melody away from the lead singer if they get too loud. In my opinion, mixes that kept the backing vocals lower were generally more successful.
There were tons of technical issues in the tracking of the final verse (“So I think it’s going well…”). It was punched the day following the original tracking and it was done somewhat carelessly. Some mixes handled the level shifts and problems well. In others, the vocals really jumped in volume in the final verse in a way that felt inappropriate given that it’s a bit of a breakdown section.
Several people did delays on the guitar hook synced to the tempo of the song. Cool idea - I think it worked best when they were low in the mix. On a couple of mixes, I felt they were too loud and obscured the melody.
There weren’t too many mixes that pushed the envelope loudness-wise but there were some. In general, I don’t think it benefitted most of the ones that did. Once I turned them down to level match everything else, they tended to sound kind of lifeless and in at least one case very distorted.
A lot of people chose to distort the bass on the final verse. I really like this idea - some didn’t quite get the effect dialed in and over the finish line though in my opinion.
Finalists:
Without further ado - the finalists are as follows. After reviewing the mixes that I had marked as needing a second listen, I decided to shuffle things around a bit so there are actually 9 finalists.
Note, these are all really excellent mixes in my opinion so unless otherwise noted, the tweaks that I’m recommending should be small.
MichaelLucas
I like the bass sound and how it’s working with the kick. Nice sense of space on the lead vocals. Nice sense of space overall really. It definitely has an Aja vibe. Perfect placement of the backing vocals. There are a few places where I think I’d like to hear the horns nudged up very slightly. The biggest place would be during the outro of the song but also maybe in a few places where they sit in between lyrics. Guitar may be a pinch too loud between 1:49-2:30
KrissK
Kick and bass are working well together but the mix sounds a bit bottom heavy. On the final verse “So I think it’s going well…” I think the vocals could come down a pinch. Interesting approach to the vocals on the chorus. Really cool - I don’t mind the backing vocals being a bit loud in this mix for some reason. I also love the what you did with “So I guess that didn’t work” at the end . Pushing it back like that was a great idea.
maxovrdrive
Nice crisp and airy mix. Sounds a bit light in the low end to me. I also think the backing vocals could probably stand to be pulled down a pinch in the chorus. I love the idea of distortion on the bass in the final verse but I think a meatier, throatier, buzzier, distortion would work better. The tone just isn’t quite working for me.
francobhalla
The click at the beginning can be edited out. Really nice, smooth and warm mix. I love the tonality of it. Vocals jump out way too hot in the final verse. They could also probably stand to come up a pinch during the choruses. In the outro, I would like the main lick (the one doubled between trumpet and guitar) to be a bit louder and the counterpoint line played by the other horns to be a bit quieter.
Michael Schneider
Nice mix. In many ways this reminds me of the original mix but without most of the little things that bother me in the original. I like the effect on the bass in the final verse. I like where you put the backing vocals. I don’t really hear anything that sounds noticeably off to me. Perhaps the lead vocals could come up about 1dB in the final verse.
anto
Very warm - feels like it could use a bit more high end to open it up a bit. Right now it’s just a pinch too closed off and dark for my tastes. Otherwise, I think it’s solid all around.
Optoslam
Nice warm mix. It could maybe use a pinch more air but it’s pretty much right there. Everything sounds great. I think the vocals might be a pinch too loud in the verses and I think the little bass figure in the last verse is too quiet.
Elver
Could use a bit more high end. In the last verse, tame the vocals a bit. They jump out. I think maybe the dynamics on the vocals could use a bit more tweaking. It seems like some syllables are jumping out at me here and there.
Analog Domain
This is a cool mix. The snare verb isn’t working for me though. I find it distracting. I think the decay time is about right but I don’t like the general character of it. Also this mix could use more high end in my opinion. It feels slightly muffled. Maybe pull back the vocals a pinch on the last chorus. Finally, I might be wrong, but I think I can hear your bus limiter or compressor getting triggered hard by drums in places, affecting the other instruments. Take a peak and see how much GR you’re getting during drum fills and such. Make sure there’s nothing that snuck past you there…