Re: MIX CHALLENGE - MC094 October 2023 - Mix Round 1 in evaluation
Posted: Sun Oct 29, 2023 17:05 CET
BTW, EZ-CD can bulk-normalize on LUFS or SPL ReplayGain. [x] prevent clipping option. Uses parallel processing.
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What I find easiest is to load in the tracks, match to the production rough as close as possible with clip gain across the entire stems, then check where the mix hits on the two bus. Outside of mix challenge I look for short term LUFS targeting similar commercial tracks where the track is loudest. I'll then adjust all tracks by the same amount to keep the relative balance. Typically, that gets me somewhere around -18 to -14 integrated LUFS going into my 2 bus. Ideally at this point all my faders are at unity gain (0) and any level changes were done on each clip or using something like the pre-gain in cubase. Outside of mix challenge I would mix from there into 3 limiters to bring the level up to commercial levels, inside mix challenge I may have to adjust the overall levels on all tracks again to create a few more db of headroom and I wouldn't use the limiters or I might use one limiter just to make sure I don't have a stray peak that violates the rules.1970studio wrote: ↑Sun Oct 29, 2023 16:43 CETGain staging is headroom of course, but in my case has more to do with time economy (more works in the same time) and mixer faders aesthetics. Once I had a similar approach to yours. I used to normalize all to -12dBTP. The best would be to do it after a first manual trimming of unique spikes you find here and there (vocals in particular). Peak normalization could be dramatically affected by just one irregular peak in a track, otherwise.
My current approach is different. Once loaded all the raw tracks into the daw, before doing anything else, I normalize all the drum/percussions tracks to -42dB RMS and all the others to -34dB RMS. In most cases it results in a more or less consistent starting sum with faders at 0dB (and peaks dancing not too far from -12dBTP). Numbers are subjective, I just wanted to share the principle. hope this can help.
Same here... I did not trim the song and the bounce reflects the time. I did however adjust the tail to make 2:53 in case of R2.45Garage wrote: ↑Sun Oct 29, 2023 21:00 CETOk, weird. I got a yellow card for song length. I literally selected one of the audio files from the package (I did not trim any of them) and used that as my in and out point for the bounce. I must have overlooked the part where it said 2:53. Every file I got is 252.235. Same length as my bounce.
Not me!White Punk OD wrote: ↑Mon Oct 30, 2023 07:34 CETTracks are 2.52.235
Probably everyone has reverb tails on the last guitar tone anyway.
ahaha... great!!
45Garage wrote: ↑Sun Oct 29, 2023 21:00 CETOk, weird. I got a yellow card for song length. I literally selected one of the audio files from the package (I did not trim any of them) and used that as my in and out point for the bounce. I must have overlooked the part where it said 2:53. Every file I got is 252.235. Same length as my bounce.
maxovrdrive wrote: ↑Mon Oct 30, 2023 03:34 CETSame here... I did not trim the song and the bounce reflects the time. I did however adjust the tail to make 2:53 in case of R2.
I technically do not need to answer this. However, considering that there seem to be "issues" with the Rules / Statistic Sheet, I need to clarify things.cpsmusic wrote: ↑Mon Oct 30, 2023 04:06 CETSame for me too. The original mix is 2:55 and the notes also say that the song length is 2:55. However, all the raw tracks are listed as 2:52. This is all according to the macOS finder, but I think we can safely say that the original mix is slightly longer than the source files. ...
Code: Select all
Multi-track length: 2 mn 52 s 235 ms
"Precise cut" length: 2 mn 51 s
(if you cut away super quiet noise from the initial transient and adjust the fade-outs)
"Minimum cut" length: 2 mn 52 s 235 ms (recommended)
(resembles half a bar of silence in front of first transient, and half a bar of silence in back)
Highly recommended cut: 2 mn 54 s 353 ms
(this adds half a bar of silence in front of first transient, and 2 bars in back for FX trails)
The "minimum cut" length is taken as basis for the Statistic Sheet warnings.