Treated this mix as if it was a band playing through individual amps like you would typically hear in bars and jazz clubs. One global room reverb in various amounts depending on the volume level. Louder parts such as louder snare hits triggered a slapback delay.
All tracks sent through Slate VMR
Drums
Kick: 1-2 db compression, EQ Cut at 560Hz, boosts at 129Hz, 6.5K and 7.5k
Snare: 3db compression, EQ boosts at 84Hz, 619Hz & 3.5Khz
Toms: 1db compression, EQ boosts at 3.5Khz, 1.3Khz, 80Hz
HH: EQ cut at 240Hz, 913Hz, 7-7.5khz
Overheads: 3-4db compression, EQ boosts at 7.5Khz, 6.8Khz, light boost at 10khz / Cuts at 573Hz, 122Hz Notched most of 1Khz
Drum Bus: 2db compression (glue), Slate Revival for clarity.
Drum automation
The overheads were recorded from the player's perspective. Used the L/R overheads doubled. One track with L/R channels flipped. Automation was used to switch between the original and stereo flip to get the ride on the left side and High Hat on the right. This also made it possible to properly pan the toms. The result is (hopefully) listening to a drummer from the audience perspective. The side sticks were too low so I brought those sections up on the snare track. Some crash hits were to loud, brought them down in 2 parts.
Keys and organ.
EQ cut below 60Hz for clarity.
Keys: Track doubled for Vs & Chorus
Verses: Single, mono track panned left with 60% room panned right, removed 50Hz and below.
Chorus: AIRStereoWidth (sides only) blended with L/panned mono channel, removed 50Hz and below.
Organ: AIRStereoWidth (more width setting) clearing room for the center (solo/vocals), removed 50Hz and below.
Bass: 3db compression, EQ boosts at 3.20khz, 1.6Khz, 80Hz
RH-Guitar: Ran through TH-U spring reverb, 1db compression, EQ Boosts at 3.2Khz, 1.6Khz, cut at 60Hz, removed 50Hz and below.
Solo: TH-U Spring Reverb, Slap delay, EQ cut at 7.5k, 6k, 55k, boost at 200Hz.
Vocals: (Both tracks): EiosisE2Deesser, Slapback delay, 5db compression, EQ boosts at 5.48Khz, 1.6Khz, cut at 80Hz, removed 50Hz and below.
Room Reverb: FG-BM7 (live room) 17.5ms pre-delay
Slap delay: KHs Delay 155ms, minimal feedback
Links:
MP3:
https://drive.google.com/file/d/1d2kQE1 ... sp=sharing
WAV:
https://drive.google.com/file/d/1GsQDyV ... sp=sharing