Re: MIX CHALLENGE - MC098 June 2024 - Submissions until 21-JUN-2024 23:59 UTC+2/CEST
Posted: Thu Jun 06, 2024 14:35 CEST
Hi everyone,
first of all thanks to Mr Fox and Arnwyn! Beautiful song to work on.
I really enjoyed this kinda "less is more" challenge, with guitar, piano and bass being the only instruments.
LINK:
https://www.dropbox.com/scl/fi/hpg4wdls ... edav6&dl=0
My approach was to support the personal, intimate feeling of the song - meaning no (audible) big reverbs, long delays or huge sounding drums.
Additionally I did a lot of volume automation to support the songs implied development in dynamics and energy (or at least the way I heard that development) - restoring the dynamics Arnwyn felt a lack of in their own mix.
(e.g. in my mix the lullaby/humming part is really quite before all instruments kick back in with full energy)
I also adressed the artificial/non-human feeling in the lines of "motherless life" and "permission to birth" by adding a sublte robot-like voice (using ERA VoiceChanger) as well as a flanging, stuttering voice layer (Flanger, Tremolo and AutoPan).
Another learning I want to share regarding the vocals: MAN it is so easy to get lost going down the rabbit hole of hunting harsh frequencys.
The vocals do have quite some harshness and weird ringings, so I grabbed soothe thinking "hell yeah that's gonna do the job" BUT after listening the next day the vocals were just DEAD. I killed all the brightness and squeezed the life out of the performance for the sake of reducing harshness.
So, long story short, I went back to zero, bye soothe, and got the job done with a regular dynamic EQ. Resetting your ears can be so important.
Anyway :) another case of less being more.
Have a great challenge everyone, looking forward to the evaluation!
first of all thanks to Mr Fox and Arnwyn! Beautiful song to work on.
I really enjoyed this kinda "less is more" challenge, with guitar, piano and bass being the only instruments.
LINK:
https://www.dropbox.com/scl/fi/hpg4wdls ... edav6&dl=0
My approach was to support the personal, intimate feeling of the song - meaning no (audible) big reverbs, long delays or huge sounding drums.
Additionally I did a lot of volume automation to support the songs implied development in dynamics and energy (or at least the way I heard that development) - restoring the dynamics Arnwyn felt a lack of in their own mix.
(e.g. in my mix the lullaby/humming part is really quite before all instruments kick back in with full energy)
I also adressed the artificial/non-human feeling in the lines of "motherless life" and "permission to birth" by adding a sublte robot-like voice (using ERA VoiceChanger) as well as a flanging, stuttering voice layer (Flanger, Tremolo and AutoPan).
Another learning I want to share regarding the vocals: MAN it is so easy to get lost going down the rabbit hole of hunting harsh frequencys.
The vocals do have quite some harshness and weird ringings, so I grabbed soothe thinking "hell yeah that's gonna do the job" BUT after listening the next day the vocals were just DEAD. I killed all the brightness and squeezed the life out of the performance for the sake of reducing harshness.
So, long story short, I went back to zero, bye soothe, and got the job done with a regular dynamic EQ. Resetting your ears can be so important.
Anyway :) another case of less being more.
Have a great challenge everyone, looking forward to the evaluation!