@Arnwyn, thank you very much for putting me through and giving me the chance to revise the mix. Dave's production notes and the mix feedback was very helpful in honing in on the sound I think you are after. In combination with some other points I and others had noted, this is what I have done to try and improve the mix:
• I've done quite a lot of work on the bass guitar sound, trying to maintain the bottom end but making the top end more audible. I had a room reverb on it, which I think was responsible for some of the washy/boominess - this has now been removed. I've also added some extra automation between some phrases and a slight chorus effect, which seemed to be present on a lot of the mixes where a "good bass sound" was noted.
• The drum kit in general is now more prominent, with some added low end on the kick. I played around with the levels of the kick, snare, toms and hi-hats to redress the balance.
• I think the "jangly" top end was coming from a combination of the guitar and the tape saturation plugin on the master bus over-exciting the highs. I've changed the balanced of the guitar tracks to compensate for this and moved the tape saturation to the vocal bus only as it still gives them a nice air, which was missing when removing it altogether.
• In combination with the guitar tweaks, some compression on the piano and a little bit of automation seems to have separated these instruments more.
• I've automated in some extra vocal reverb, similar to the coda, during the humming section so they don't sound quite as dry. I've also adjusted the balance between the lead and BVs in this section.
• Dave's backing vocals are now a little louder (around 1dB) as I didn't think I'd made them quite loud enough before.
• I've added a subtle triplet delay to the guitar tracks, which I think gives the rhythm of the track some extra drive. I wish I could take credit for this, but it was a feature of
@grvirus's mix, which I thought sounded really cool so I've used it here.
• I thought the mix in general could do with a bit of extra width so I added a stereo widener at 107% on the master bus, just to give it a little enhancement.
Additionally, after reading the production notes from Dave I tried reducing the lead vocals to a single track for the majority of the song rather than using both takes. However, purely as a listener, I found it just didn't seem to have the same "likeability" as before, so in the end I kept both together.
https://drive.google.com/file/d/1BcMX8C ... 4bTEI/view
I hope these mix tweaks have put the sound more in the ball park.
Best regards,
Benji