Hi.
Here's my votes & feedback.
Sorry if I am extremely short on any feedback given. Having a bit of a bad week, as in depression and can't keep my head on straight long enough to focus on one thing, but I know these (rightfully) need to be done. You all worked hard on them.
I just started making music in Sept 2020, so my ability to comment on more technical aspects of the craft isn't up to snuff, but I'll try to make the best objective comments I can despite how my brain has been acting lately.
I'm also sorry if my song is lacking / uninteresting / kinda crap. I tried my best with the limited DAW I'm using, and although I grew up surrounded by jazz, hip-hop, lo-fi and new age-style music, I guess my ear for it is shot and that reflected in the song (based on some of the critiques I've seen for it and the pts so far.) Guess it's just terrible. Sorry again.
Hope everyone's 2020 ends on a positive note and 2021 is a brighter year...gods know some of us need it...
I hope none of my commentary is taken the wrong way. Despite hating my own song, all of yours was a thrill to listen to, and enlightening. ♥
----
Doc Jon -
"The Meaning of Life":
As a lot of people have noted, it really looks like you know what you're doing. The synths are great and build into the vocals really well. I never felt bored the entire time listening to it, and the vocals are real fly and balance so well with everything else. I don't really have anything 'negative' to say about the piece, other than I wish it had a bit of a heavier percussion or bass bottom in some sections. I felt it needed it, but how exactly I am unsure.
Esteve Corbera -
"A New World About Us":
It starts out oddly dark and like it's about to segue into darker synthwave, but the lighter tones and chimes afterward were quite surprising (in a good way). Reflects the year in a nutshell quite well. My only complaint, if one can call it that, is that the song made me feel like I was running in place, not towards any one goal. I am unsure if that was the intent, but it felt a bit stagnant and non-progressive. It's a pretty piece, and I like the piano / percussion, but I think the addition of more mid-to-low tone instruments and some form of drums or bass would've made the steps to the end feel more gradual and natural.
Olli H -
"I Guess It's Time To Go Now":
It reminds me of music from Chrono Cross (which right off the bat is a plus, at least for me). Feels like the outro to a children's movie, after we all learned its themes and the meaning of its metaphors. The flute throughout is gorgeous, and the bit of deeper drum hits were spot on. Very much on the lighter side of tribal music. Nice progression. Nothing struck out to me as overly bad or needed work on. I think it wanders a bit towards the mid-to-late sections of the song, but you pulled it back into the bridge well enough. Good job.
Becsei Gyorgy -
"Brave New World":
Immediate Gladiator (the movie starring Russell Crowe) OST vibes. Quite nice vocals, with an Enya-esque backing. I think somewhere in the game rules for this theme, Mr. Fox tried to dissuade us from easily going into cinematics territory with bombastic and outstanding orchestral riffs in our songs, but I think you did well to hold it back and not go off the deep end with it (which I could easily see happening by the 1:30 mark). Despite that, however, I think you could've pushed the brass and drum sections a bit more by 3:00, just a tad. I heard nothing clash, and the vocals seemed balanced. Only sad point is I think it ended too early, and had more room to grow and expand without become a cinematic blockbuster OST.
Blang -
"Hold On":
That opening bar got me, real good. I like good vibraphone / xylophone / marimba sounds, and it opened to us as the audience up from the start. Felt light and sweet to listen to, and the acoustic guitar reminded me of another song (equally as good). I like the synthwave / vapourwave feeling of the background to this. It does feel like something that'd suit a moment of 'hanging on', in many broad extents. Kind of feels like it's meant for the soundtrack of a movie about AI, or something sciency. The minimalist effect with the instrumentation suited this one. Nothing bad came to mind listening to it. Good job.
Marius L -
"Story Teller":
Another futuristic-sounding song.
The whispy-click percs were quite a nice feature. Does sound like something befitting 'to tell a story' to, perhaps of a time long since past? A bit Glitch Mob-ish to me, which I like (insofar as the stranger sounds and percussion). I like the vocals but I think they were a tad bit too loud for the song and might've needed a bit of compression. I wish more could've been done with the baseline of the song. You have a lot of lows and some mids, but not a lot of highs. If that was purposeful, that's okay. If not, some form of maybe woodwinds or strings might've helped expand the song that tad bit. The minimalist effect here worked but only up till I felt that it needed more top-end registers. But I do very much like the future-mood of the song & genre.
Brunnsqi -
"Theta":
Very whimsical, watery-sounding song. I think you mentioned before you're also pretty new to music-making? This is pretty amazing to me, as far as I feel, for someone using Cakewalk rather than just BandLab Online (like me)--and it's obviously not working out for all my song ventures thus far. I appreciate the work done in this. I felt it was way too short, but a bit over 2 minutes is a lot of work, especially in dealing with whatever plugins and VSTs you have available. Real good work. I look forward to hearing more in the future. My only niggle is the song doesn't overly go anywhere (not much progression, as they call it), but it ends solidly.
Double Tap -
"Ambient Dec 2020":
I like the synth / arp works at the beginning. A moody sort of tribal take, and definitely ambient. Oddly, I don't think the soft operatic vocals works for this. Apologies. It felt a bit out of place with the primarily percussion-heavy-style of this piece. I think you would've benefited either with a non-operatic vocal (more abstract vox) or none at all. But I can see you tried to work it in. I like the bit of woodwinds added midway through the song. I feel this is another one that might've benefited with more lower-registers (besides the pad / arp) to push progression. Nice work nonetheless. I think there's a lot of room for improvement on this one, and I do really like the mood it sets.
FunctionForm -
"Out the Door":
Very, very lovely percussion / woodwind / brass-works. It's strange this is one of the few songs out of the selection which took a lot more of an energetic pace and feel to the new age genre, whereas a lot of us took the more meditative / slow-burn side of the genre. The vocals sound like African chants. It really fits the aesthetic, well done. I kind of expected steel / kettle drums to come out of left field with this slight take on like a war chant going on, but was pleasantly surprised by the 2:12 mark when you warmed up the center a bit more the added volume to the mid-section and the addition of a wide berth of echo sounds and tremolo. Good balance between the bass and treble. Love the pacing, and I am glad someone took the fast-pace route with their tempo.
VCA-089 -
"Wild Energy":
Hmm... I listened to this, a couple of times, and you know what? I'll have to kindly disagree with those who say this isn't "new age" enough. I think more work can be done to bring out those elements more and more on an equal ground with the darker, synthwave subtext of the song, and yeah it kind of slips into the more alternative / industral rock sound, but the chords and slight tribal percussion I can hear from it more than qualifies as new age, to me. Nowhere did it say you couldn't have a slight blend or 'bend' in genre, and despite me saying I think it could've had more top-end done to it, the percussion and vox vibrato with the digerydoo / flute sound is quite beautiful. 2021 could be a good year--but it can also still hold that danger of still being crap. Such is the dangers of a new year. And this song reflects that, I believe. It doesn't have the sounds of hopefulness, but of fighting to break through another possible bad year.
Shea -
"KnewAge":
Love the meditative / Indian sound with the guitar / harp. Beautiful with the bird song ambience. This was refreshing to listen to, like "Out the Door". I heard most songs took a more Native American-shtick to the underlayer and percussion, so it's nice to hear the few who went more Eastern / Middle-Eastern / African with their new age genre. Gorgeous yet simple drum-work. This piece benefited well from the top-to-mid sounds being the primary, rather than secondary or tertiary sound. Yet, it still has a bottom layer you can clearly hear, but is not overpowering. One of the most balanced songs of the bunch. I enjoyed it a lot.
~ BONUS ~
A Future in Noise -
"Unfinished":
Interesting opening with mostly soft whispering winds, and the bell strokes. I agree with others that this song has quite a bit going for it, but could do with a lot more. I also agree that it sounds like you were slightly working against what you were using, rather than it slipping in and fitting with your overall aesthetic. I am also unsure if this is 'new age' in its fullest. Kind of sounds like pirate music to me, or something befitting that style of OST. Regardless, it's a good start.
And the strange noises towards the end were cute.
► Show Spoiler
01 (11 pts) = FunctionForm - "Out the Door"
02 (10 pts) = Blang - "Hold On"
03 (09 pts) = Doc Jon - "The Meaning of Life"
04 (08 pts) = Shea - "KnewAge"
05 (07 pts) = Becsei Gyorgy - "Brave New World"
06 (06 pts) = Marius L - "Story Teller"
07 (05 pts) = Olli H - "I Guess It's Time To Go Now"
08 (04 pts) = Esteve Corbera - "A New World About Us"
09 (03 pts) = VCA-089 - "Wild Energy"
10 (02 pts) = Brunnsqi - "Theta"
11 (01 pts) = Double Tap - "Ambient Dec 2020"