I enjoyed the challenge of making this sound like a live club. I pictured a band on stage with no drum mics, just everyone with their amp and a singer going through a PA. If you're sitting in the right spot in the room, you get lucky with a good mix... With the exception of the snare and keyboard strings, I left everything pretty dry and applied a slapback delay on the whole mix. I like the effect and it helped put me in the room with them.
WAV:
https://www.dropbox.com/s/y96jdcn4jymnf ... T.wav?dl=0
MP3:
https://www.dropbox.com/s/ltok7zj55d9ke ... T.mp3?dl=0
DAW - Reaper
Drums
Bass Drum : 9db boost at 80hz, 10db cut at 300hz, shelved down everything above 3500hz. 4:1 compression 6ms attack and 160ms release. Multiband compression to squash the full mid range.
Snare : High pass at 142hz, 10db cut at 500hz, 5db boost at 4800hz, long reverb mixed low
Tom 1/2 : nothing
HiHat : High pass at 800hz, high end shelf boost
Overhead LR : High pass at 230hz, 3db cut at 445hz, 10:1 compression fast attack, 125ms release
Overhead C : same as OH LR, but mixed 12.5db softer
Room : no fx, mixed at same level as OH Center
Bus: 2.5db boost at 12Khz, mild compression with medium attack and release.
Bass
High pass at 70hz, 3.5db boost at 1200hz for some extra growl out of the bass
Guitar
6db cut with shelf at 130hz, 15db boost at 615hz (for jazzier sound)
Guitar Solo
10db high end shelf reduction to soften the distortion, quarter note delay (I think a live guitarist would do that...)
Electric Piano
High pass at 165hz, 4db boost at 1050hz
Organ
nothing besides pan 50% left
Strings
Long reverb 50% mix
Vocals Verse
High pass at 200hz, 5db cut at 700hz, 4db high shelf boost
Some volume cuts at the transitions between verse and chorus, her phrases overlapped (which would be impossible live)
Vocals Chorus
Same EQ as verse, with added 5db boost at 10Khz
several volume adjustments for certain words that were either sung too softly.
Vocals Bus
2.5:1 compression with 10ms attack, 50ms release (about 3db reduction), another 2.5:1 compression with same attack and release, about 1.5 db reduction, small room reverb mixed about 25%, to simulate a PA reverb