Re: MIX CHALLENGE - MC077 June 2021 - Submissions until 21-06-2021 23:59 UTC+2/CEST
Posted: Mon Jun 21, 2021 23:53 CEST
Hello everyone and thanks for this opportunity!
Here's my mix: https://www.dropbox.com/s/wa2qqh6g0tl3b ... o.wav?dl=0
So my main goal was to finish this efficiently, and to keep it pretty natural and warm sounding. I kept my main focus on the vocal and the piano, trying to keep them both as the main elements without them fighting each other, and that is achieved by some careful eqing and lots and lots of automation that I did with a fader controller.
I tried to be very careful not to make the drums sound like a rock kit playing a tom beat. I ended up avoiding high and high mid boosts with an eq and opted to use Saturn with a high or mid band instead, with a pleasing result IMO. Not a huge amount of compression, a bit of leveling and overall a Kush UBK as a parallel compressor blended in a little, with a slowish release to bring sustain rather than more transient. The low end needed a tiny bit of help from bx subsynth.
Overall I set some quick levels, and very quick processing mainly with the bx SSL 9000 emulation, FF Q3, and the Arousor with some Kush plugins and a Soothe 2 here and there, stuff that is already in my template. Mix bus had a PA Shadow Hills compressor, followed by a Kush Clariphonic in to a Gullfoss with very mild settings. I also had a parallel Mix bus that kicked in in the parts that needed a lift, and that one had a Sugar to excite the mix when needed. After setting up the mix bus I focused on riding the transitions to have more emotional impact, fixed some clicks that I could find, and rode the fader wherever it needed to be ridden (is that a word?), levels, various delay sends etc. So lots of subtle automation.
Reverbs are mainly free Bricasti IR's for Waves IR-1. Some Valhalla there too. Delays were a few different Echoboy JR's in a few different settings. I didn't set individual delays or reverbs for every element, I felt like using just a few returns for everything to have a bit of glueing ambience approach.
Here's my mix: https://www.dropbox.com/s/wa2qqh6g0tl3b ... o.wav?dl=0
So my main goal was to finish this efficiently, and to keep it pretty natural and warm sounding. I kept my main focus on the vocal and the piano, trying to keep them both as the main elements without them fighting each other, and that is achieved by some careful eqing and lots and lots of automation that I did with a fader controller.
I tried to be very careful not to make the drums sound like a rock kit playing a tom beat. I ended up avoiding high and high mid boosts with an eq and opted to use Saturn with a high or mid band instead, with a pleasing result IMO. Not a huge amount of compression, a bit of leveling and overall a Kush UBK as a parallel compressor blended in a little, with a slowish release to bring sustain rather than more transient. The low end needed a tiny bit of help from bx subsynth.
Overall I set some quick levels, and very quick processing mainly with the bx SSL 9000 emulation, FF Q3, and the Arousor with some Kush plugins and a Soothe 2 here and there, stuff that is already in my template. Mix bus had a PA Shadow Hills compressor, followed by a Kush Clariphonic in to a Gullfoss with very mild settings. I also had a parallel Mix bus that kicked in in the parts that needed a lift, and that one had a Sugar to excite the mix when needed. After setting up the mix bus I focused on riding the transitions to have more emotional impact, fixed some clicks that I could find, and rode the fader wherever it needed to be ridden (is that a word?), levels, various delay sends etc. So lots of subtle automation.
Reverbs are mainly free Bricasti IR's for Waves IR-1. Some Valhalla there too. Delays were a few different Echoboy JR's in a few different settings. I didn't set individual delays or reverbs for every element, I felt like using just a few returns for everything to have a bit of glueing ambience approach.