In general for all the tracks I used compressor and equalizer, after an adequate gain staging and a raw mix in order to obtain a good balance of all instruments both in terms of loudness, volume and pan.
For kick and snare I used a parallel compression with CLA-76. I used transX to shaping the transient attacks of snare signals and for adding punch to kick and tom floor. On the Snare, kick and tom floor track I used also a gate and expander.
For OH and Room I used a de-esser for high frequency harshness. OH is heavy compressed in side chain with snare signal.
For Toms rack I used bitpressor compressor. For tom floor the Kramer pie compressor and a little ping pong effect
Finally I added a touch of saturation throughout the drum bus.
For the bass I used 3 aux tracks: one for sub-low freq., for the low-end and on the last there is a voltage amp plugin. On the bass bus there is transXtherefore to enhance rhythmic drive, eq, compression, overdrive (in post fader) and a bit of saturation and chorus efx (pre-fader send to two aux tracks).
On the bus master there is Kramer hls to enhance 1k and a bass rider.
Guitars: I used a LCR bus where the tracks are routed. I choose 3 pan direction (left 60 / right 60 /center) and for each guitar sub bus I used eq and API compression. On the LCR bus there is sslcomp as glue.
Solo: cla3a-eq-kramer compressor. Moreover there is a saturation, reverb, stereo delay via aux send.
On the guitar master another ssl as glue comp. A dynamic EQ acts on the guitar bus, controlling some frequencies by the bass and for others by the voice.
For synth I used MV2 for an upward comp, cla2a and eq.
Voice: I used parallel compression that returns to a bus together with the direct voice. On the bus I used a de-esser and 2 compressors an eq in the middle. Send vox bus in to 2 aux track with Magma BB Tubes plugin and blackbox saturation. Vox master is send to a reverb and stereo delay aux.
There some automation regarding volume, pan, reverb and stereo delay send and level.
Reverb: short (drums and a little bit on the bass); medium and long (a combination of both on guitar voice and synth track)
Stereo delay: Sync with bpm with 1/4 and 1/4T
The mix bus doesn't do too much processing: Puigchild comp just 1 db of maximum reduction, an eq for boosting the 10-12 K
That's all, here's my mix:
https://drive.google.com/file/d/1cL9igl ... sp=sharing
We're in the final hour of the game.