2025-APR-01 Info: We've got two games this month! MC103 with a (German) Pop/Rock production, and SWC092 with a new picture theme.

SONGWRITING COMPETITION - SWC091 March 2025 - results in preparation

Thematic Songwriting Competition - recurrence: monthly
Strange
Posts: 37
Joined: Fri Jun 14, 2024 07:32 CEST

Re: SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#81

Post by Strange »

Marc Fey wrote:
Thu Mar 27, 2025 20:23 CET
I just wish you'd provide the lyrics...
Here they are Image

https://os5.mycloud.com/action/share/cb ... 54bad32542
Chasey24
Posts: 20
Joined: Sat Mar 23, 2024 18:58 CET

Re: SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#82

Post by Chasey24 »

Hello all,

There are so many excellent entries this month...it's been difficult to rank them. This group is definitely talented!

Reflection:
At first, I was considering including modulating the progression into another key(as some of you did). Ultimately, I decided against it due to time constraints. Sometimes, I'm inspired by a sample library, as was the case for this composition. I picked up Sample Logic Impakt on sale around Black Friday and hadn't opened it in Cubase until this month. As soon as I opened the library and began loading some of the multis, my idea for this track began to take shape. I'm not sure there's a right or wrong way to develop a musical idea, but I usually begin with a chord progression. Since this was partially done already, I focused on instrumentation, tempo, melody, and structure. I hadn't often composed in the Lydian mode, so I had to to research a bit. My research included a video on YT by Rick Beato. I've been subscribed to his channel for several years now, mainly because his love for all things music shines through in every video. Our Mister Fox recommended his videos on modulation near the beginning of this thread. What I learned is to feature the I, IV, and V root in the melody I was about to write, as it helps maintain the "Lydian feel" of the composition. Of course, I utilized other notes as well, but focused on the I, IV, and V. I would personally describe the Lydian mode as hopeful but almost never resolving.
So, I learned more about modulation. I learned more on the Lydian mode and writing melodies in Lydian. I also logged some time learning(and refreshing my memory) on the sample libraries I used in this production.
After listening and reflection, the feedback I received on my composition concerning it being too busy in the second section is absolutely correct. If I ever go back and revise, I will cut out some of the 16th and 8th notes cluttering that section. I might also add a modulation toward the end.

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EsteveCorbera
Posts: 211
Joined: Mon Oct 19, 2020 23:53 CEST
Location: Catalunya

Re: SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#83

Post by EsteveCorbera »

Good night,

As always, thank you all for participating and thank you Mister Fox for organizing this competition.
Thanks to everyone for the comments and votes made so far.
Congratulations on the good songs you have presented this month.
Thank you.

Reflection.
No matter how hard I try, I still find it difficult to recognize the chord progression in many of your songs. Maybe because I have worked with many versions of my theme and have had to listen to it many times, I still find it difficult to recognize them with the variations you have made. I don't know anymore. I like reading your criticisms, both those you make on my theme and those you make on the themes of other colleagues. That's how I learn from them too. I realize that, despite putting in a lot of effort and dedicating many hours to it in exchange for less sleep, I still have a lot to learn.

I leave you comments on your works:

alphageeks - 250305
Happy theme. It immediately caught my attention. I like the piano that takes the helm throughout the theme. The arpeggios give it this happy character. But perhaps at the end it becomes a little repetitive. Maybe I would lower the sound of some of the effects or put them further back (reverb), but that's a matter of taste.

About language. I don't know English either and I always use Google Translate, in both directions Catalan-English and English-Catalan. It doesn't take me too much work. I write the texts in Word and then put them in the Translator and copy it from there and paste them here. All very fast. To read your comments, I have the browser translate them for me. There are many browser components that do this job for you.

About participating here. I've been participating for years. Since the SWC38 challenge. In fact, it's what gives me meaning to continue making music. I've learned a lot here. I think most of the things I know, you guys taught me, challenge buddies. Thank you. You can learn a lot here and it's not at all difficult to participate. Maybe the most complicated thing at the beginning is adjusting to the limits of -14.0 LUFS ILk/-1.00 dBTP but they once gave me some advice that I always follow: viewtopic.php?t=531&start=10#p12525

juhu – Five in the Chamber
Very original and different theme from what is usually done here. Very good idea.
At times I find the strings too cold or artificial (maybe you could use other libraries), but at other times they sound much more natural, you did a good job.
I would add a little more reverb in certain parts of certain instruments.

EFEMGIE – I Offer You A Chord
Good job. While I was listening to it, my leg kept moving. It's not the style of music I usually listen to, but I liked your version.
Good mixing job. Maybe the theme is a little too long, but I like how it evolves, leaving time for each part to enter.

APi_ZZ - Sixteen
Your theme reminded me of the good themes of David Arkenstone. Bravo!!
I really liked the constant reverberation, the background choirs, the final flute, the tranquility of your music.
I also have to confess that I like it because it's very much my style.
To make a review, I've only listened to the official version. Later I'll listen to the other versions.

Marc Fey – Progression
Great introduction. I like the way the guitar sounds. I really like this calm song that you've done. It increases in intensity and makes you grow interested in learning it, not many things really happen but the ones that do happen are very good.

EatMe – En Route Sur San Jose
I listened to the songs in the same order as the comments. I came from two very quiet songs to land on this one that has more rhythm and strength. But the thing ends up fading out, I was expecting some variation, a pause that would cause an attractive event, an explosion. I don't know, it's missing something.

Strange – I rise
Good song. Great work with the real vocals. Maybe I would put the lead vocal closer, I feel it's too hidden, on the other hand the choruses are good, like this with a good panorama. I feel the rest quite well.

MellowBrowne – What The Funk
Very original song. I have a hard time following it because it's not the style I usually listen to and that's why I feel like giving you comments in a correct and constructive way. Good rhythm and good use of the instruments. Also good work with the mix.

Chasey24 – The Offer
Good song. Good use of the guitars that are extended and give it a very interesting atmosphere.
For my taste, I find some rhythmic elements (mallets) too present and perhaps out of place.

Blang - Recipe 3
Good lo-fi intro. Also very calm. Good work with the guitar, which leads the evolution of the song very well. But personally, I don't like this delay that you put on the notes of the synthesizer / arpeggio, it distracts me and doesn't let me enjoy your composition enough.

VCA-089 – Ashes Of Time
As always, I can only congratulate you. I really like your compositions and more when you get nostalgic and do things in the 80s style. Great sound design. I love the idea of ​​leaving a his sound (cassette type) at the end of the song. Super 80s with the walkman in your ears. Bravo, very good.

ThomC – Another Night At The Movies
How does this orchestra sound!!!
It's a shame that when you listen to it you are left wanting more. We don't want an introduction, we want much more!!!
It's true that you know how to transport yourself to a distant country where adventures will happen that will take us back to childhood.

(translated with google, sorry for the imperfections that the translation may contain)
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EatMe
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Re: SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#84

Post by EatMe »

Some notes:

-almost all of us have "cut the midrange" and lowered the frequencies between 1 KHz and 3 KHz somehow.
APi_ZZ did not.
To learn this secret HiFi technique of lowering the frequencies between 1000 and 3000 Hz (1 KHz - 3 KHz),
where the human ear hears loudest, because the human voice is mainly present in that region.

-the entry by VCA-089 is the only entry that excels in the high tone range above the rest.
I do hope this is not a case of hearing loss, but rather a time-pressure based decision.
All the other entries do not have their focus range in the 5KHz-10KHz.

-Some entries have a -dBTP of higher than -1.00 dBTP.
ThomC: +0.32 dBTP
Chasey: -0.05 dBTP
Strange: -0.93 dBTP (around the limit)
EsteveCorbera: -0.96 dBTP (around the limit)

---------------------------------------------------------

Thank you everybody for all the feedback on my, and each others' work.
It was a very difficult given chord scheme to work with. So much quality in the entries!

Next time, gadget... Next time...
Marc Fey
Posts: 6
Joined: Fri Mar 14, 2025 18:25 CET

Re: SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#85

Post by Marc Fey »

Strange wrote:
Sat Mar 29, 2025 19:32 CET
Marc Fey wrote:
Thu Mar 27, 2025 20:23 CET
I just wish you'd provide the lyrics...
Here they are Image

https://os5.mycloud.com/action/share/cb ... 54bad32542
Great, many thanks!
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Mister Fox
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SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#86

Post by Mister Fox »

:arrow_right: A friendly reminder:
We're in the final 24 hours to submit your feedback and cast your vote.

As of this moment, 3 participants are missing. Please get that sorted out today.


Please check post #029 regarding the feedback and voting mechanic. Giving feedback is mandatory (the only criteria to become disqualified). Please don't let yourself be put at a disadvantage by not participating (fully). The Songwriting Competition lives from the given feedback towards each other. Don't just "collect" and then move on - this is unfair to all other participants.

Outside feedback is welcome, of course.
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APi_ZZ
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Re: SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#87

Post by APi_ZZ »

Hi folks,

this is/was an interesting challenge with high level entries all over the place ...
I made my (few) production remarks at my track, and -um- don't have to add. :shrug:

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VCA-089
Posts: 123
Joined: Wed Jan 23, 2019 15:46 CET

Re: SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#88

Post by VCA-089 »

Self Reflection:
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Voting:
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ThomC
Posts: 27
Joined: Mon Oct 21, 2024 22:31 CEST

Re: SONGWRITING COMPETITION - SWC091 March 2025 - Voting until 01-APR-2025 23:59 UTC+2/CEST

#89

Post by ThomC »

Hey everyone!

Here's my feedback, vote and self-reflection for this challenge :

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Mister Fox
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SONGWRITING COMPETITION - SWC091 March 2025 - results in preparation

#90

Post by Mister Fox »

It's the 02nd April 2025, 1:50 (UTC+2/CEST) - the Voting Period has officially ended.

All participants have submitted final feedback, we therefore have 0 disqualification.


Please no more changes to your feedback from this point forward.
I will post the results within 3-4 workdays. (this is not an automated process)


Please have an eye on this thread :educate:
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